A good bit: Edmund getting trapped by the magic Turkish delight.
In a number of slight ways, that are not too desperately intrusive, the book doesn't quite fit together, or with the prequel, the Magician's Nephew. Most obviously Cair Paravel has no obvious reason for already existing, in this book; or when combined with tMN's, it isn't clear where the kings and queens have gone. Aslan is effectively all-powerful, and so has no real need of the childrens' help; except perhaps for the commented-upon "he is often away" so maybe he is not so much using their help as teaching them how to be kings and queens; an allegory then of free will. Neatly leaving the witch's spell as the problem of evil.
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