To be fair, the plot itself is decent enough and fairly well told in traditional RAH style, considerably better than what one might get from a number of others.
It can be read as one of his "political" works I suppose; in it we discover that theocracy is bad, who could possibly have guessed. Our Young Naive Hero is slowly disabused of his naivity by both experience and his Hard Bitten Room Mate; he joins the rebellion, which seems implausibly well-organised as well-resourced, and which eventually suceeds. The End.
There are two mini-novellas afterwards: Coventry, in which a Naive Young NotReallyAHero discovers that without the Civil Sword, no compacts and hence no civil society is possible, who could possibly have guessed, certainly not the author of The Moon is a Harsh Mistress, oops. And The Misfit, which records RAH's rather tedious fascination with instantaneous calculator type folk.
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