The attraction of the book is largely in its tone; and to some extent it shares this with White Queen. Elegaic, unruffled, unhurried, tolerant of people and of disaster.
But ah the downsides: and here I shall wax philosophical; bear with me, it is worth it, I think. I've been reading Popper recently; The Open Society and its Enemies, Volume 2, Hegel and Marx. And Popper is strongly critical of what he calls "historicism" or in Marx's case "historical prophecy": in essence, the idea that history has its own meaning, its own destiny; teleology, perhaps. And if you hear that, you begin to see the backbone of a lot of sci-fi novels; perhaps a lot of novels in general. And this one in particular: much of the beauty is in the characters learning to accept their "destiny"; the long slow downwards slope of their world into death. But it is all nonsense, and pernicious nonsense at that; and (as I said before) all too common.
Update: reading GJ's article on the book at her website, it is clear that she thinks the book is about something else. But as the author she is in some ways blind to what it actually says, because of course she knows what she meant it to say. So take, for example, the way the dolls "know" that they shouldn't fixup various "surface" problems because the humans don't want those problems fixed. Like Derveet's fatal illness. Then stop and think: how does that make sense? It doesn't, except in the all-is-predestined manner that I've already pointed out is Bad.
But I should add something positive: which is that the view of society, and the bizarre sexuality in which essentially all important people are homosexual, just makes perfect sense and all fits together; is very well done.
One of many: Scifi and Fantasy reviews.
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